{"id":437,"date":"2020-10-22T16:30:41","date_gmt":"2020-10-22T14:30:41","guid":{"rendered":"https:\/\/cbjurstrom.eu\/cbj\/?page_id=437"},"modified":"2025-09-11T17:39:26","modified_gmt":"2025-09-11T15:39:26","slug":"les-mains-dorlac","status":"publish","type":"page","link":"https:\/\/www.cbjurstrom.eu\/index.php\/les-mains-dorlac\/","title":{"rendered":"Les Mains d&rsquo;Orlac"},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/mains_d_orlac-1-1024x681.jpg\" alt=\"\" class=\"wp-image-438 size-full\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/mains_d_orlac-1-1024x681.jpg 1024w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/mains_d_orlac-1-300x200.jpg 300w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/mains_d_orlac-1-768x511.jpg 768w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/mains_d_orlac-1-1536x1022.jpg 1536w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/mains_d_orlac-1-360x240.jpg 360w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/mains_d_orlac-1.jpg 1783w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Un film de Robert WIENE (1924), avec Conrad Veidt.<br>Musique originale de Christofer Bjurstr\u00f6m<\/p>\n\n\n\n<p><strong>UN THRILLER VENENEUX<\/strong><\/p>\n\n\n\n<h6 class=\"wp-block-heading\">Le c\u00e9l\u00e8bre pianiste Orlac perd ses deux mains dans un accident de chemin de fer. Un chirurgien lui en greffe de nouvelles, pr\u00e9lev\u00e9es sur un assassin qu\u2019on vient d\u2019ex\u00e9cuter. Rapidement, Orlac h\u00e9rite des penchants criminels de celui-ci&#8230;mais n\u2019est-il pas seulement le jouet d\u2019une machination&nbsp;?&nbsp;? Un thriller \u00e9tonnant.. Un des plus grands films expressionnistes allemands, servi par Conrad Veidt, entre ombre et lumi\u00e8re, les veines saillant sur son front, jouant comme si ses propres mains ne lui appartenaient pas.<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>Dur\u00e9e&nbsp;: 1h38 mn<br>format&nbsp;: DCP, 35mm 24 images\/sec ou vid\u00e9o<\/strong><\/h6>\n<\/div><\/div>\n\n\n\n<h6 class=\"wp-block-heading\">Ce cin\u00e9-concert peut-\u00eatre pr\u00e9sent\u00e9 seul ou coupl\u00e9 avec le cin\u00e9-concert \u00ab\u00a0Docteur Jekyll et Mr&nbsp;Hyde\u00a0\u00bb, dans le cadre du cycle \u00ab\u00a0Le Double Mal\u00e9fique\u00a0\u00bb.<\/h6>\n\n\n\n<p>Pr\u00e9parez-vous \u00e0 sombrer dans les tourments de l\u2019esprit humain&nbsp;!<br>A travers ces deux films, aussi angoissants que captivants, ce cycle de cin\u00e9-concerts nous donne \u00e0 voir deux mani\u00e8res d\u2019aborder le malaise int\u00e9rieur, la lutte incessante du bien et du mal.<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"554\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/Orlac-B9-1024x554.png\" alt=\"\" class=\"wp-image-440 size-full\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-B9-1024x554.png 1024w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-B9-300x162.png 300w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-B9-768x415.png 768w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-B9-1536x830.png 1536w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-B9.png 1998w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>UNE MUSIQUE OPPRESSANTE ET TENDUE<\/strong><\/p>\n\n\n\n<h6 class=\"wp-block-heading\">Une musique double m\u00ealant instruments et traitement \u00e9lectronique. Pour ce film sur l\u2019angoisse de la d\u00e9possession de soi-m\u00eame, le piano illustre tout naturellement les tourments int\u00e9rieurs du pianiste Orlac. Quant aux percussions sombres, parfois brutales, parfois chuchotantes, elles soulignent en contrepoint les aspects dramatiques de cet angoissant thriller psychologique. Christofer Bjurstr\u00f6m a souhait\u00e9, par le traitement \u00e9lectronique en direct, faire na\u00eetre une musique au double langage. Ecoutez-en un extrait en cliquant ci-dessous&nbsp;:<\/h6>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/15-Sur-Le-Grand-Fleuve-Noir.mp3\"><\/audio><figcaption>Les Mains d&rsquo;Orlac<\/figcaption><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>le BJURSTR\u00d6M CINETRIO Electro<\/strong><\/h5>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Christofer Bjurstr\u00f6m<\/strong> piano, fl\u00fbte<\/li><li><strong>Nicolas Pointard <\/strong>batterie<\/li><li><strong>Vincent Raude<\/strong> traitement \u00e9lectroacoustique<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"554\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/Orlac-C4-1024x554.png\" alt=\"\" class=\"wp-image-441\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-C4-1024x554.png 1024w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-C4-300x162.png 300w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-C4-768x415.png 768w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-C4-1536x830.png 1536w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-C4.png 1998w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"554\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/Orlac-D1-1024x554.png\" alt=\"\" class=\"wp-image-442\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-D1-1024x554.png 1024w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-D1-300x162.png 300w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-D1-768x415.png 768w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-D1-1536x830.png 1536w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/Orlac-D1.png 1998w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Un film de Robert WIENE (1924), avec Conrad Veidt.Musique originale de Christofer Bjurstr\u00f6m UN THRILLER VENENEUX Le c\u00e9l\u00e8bre pianiste Orlac perd ses deux mains dans un accident de chemin de fer. Un chirurgien lui en greffe de nouvelles, pr\u00e9lev\u00e9es sur un assassin qu\u2019on vient d\u2019ex\u00e9cuter. Rapidement, Orlac h\u00e9rite des penchants criminels de celui-ci&#8230;mais n\u2019est-il pas&hellip;&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":11285,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"class_list":["post-437","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/comments?post=437"}],"version-history":[{"count":3,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/437\/revisions"}],"predecessor-version":[{"id":10202,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/437\/revisions\/10202"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/media\/11285"}],"wp:attachment":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/media?parent=437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}