{"id":406,"date":"2020-10-22T15:33:23","date_gmt":"2020-10-22T13:33:23","guid":{"rendered":"https:\/\/cbjurstrom.eu\/cbj\/?page_id=406"},"modified":"2020-11-09T12:01:48","modified_gmt":"2020-11-09T11:01:48","slug":"gosses-de-tokyo","status":"publish","type":"page","link":"https:\/\/www.cbjurstrom.eu\/index.php\/gosses-de-tokyo\/","title":{"rendered":"Gosses de Tokyo"},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"665\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/GOSSES-TOKYO-3-1024x665.jpg\" alt=\"\" class=\"wp-image-407\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/GOSSES-TOKYO-3-1024x665.jpg 1024w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/GOSSES-TOKYO-3-300x195.jpg 300w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/GOSSES-TOKYO-3-768x499.jpg 768w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/GOSSES-TOKYO-3.jpg 1038w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Gosses de Tokyo | Y. Ozu | 1932 | 1h40<br>Musique de Christofer Bjurstr\u00f6m<\/p>\n\n\n\n<p><em>\u00ab&nbsp;Je vous parle des plus beaux films du monde. Je vous parle de ce que je consid\u00e8re comme le paradis perdu du cin\u00e9ma.&nbsp;\u00bb<\/em><br>Wim Wenders<\/p>\n\n\n\n<p>C\u2019est une com\u00e9die \u00e0 l\u2019humour amer qui met en sc\u00e8ne les relations conflictuelles entre un p\u00e8re et ses deux fils. A travers la malice de la mise en sc\u00e8ne, qui capte avec un naturel d\u00e9concertant mimiques, ranc\u0153urs et petits plaisirs des deux enfants, se dessine une peinture de la soci\u00e9t\u00e9 japonaise. Les parents sont remis en question en tant que mod\u00e8les. Le film s\u2019ach\u00e8ve par leur prise de conscience.<br>Un cin\u00e9ma d\u2019insoumis beau comme du Truffaut&nbsp;!<\/p>\n\n\n\n<p>35mm &#8211; 1h40<br>B\u00e9n\u00e9ficie du dispositif ADRC<\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"264\" height=\"191\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/gosse-de-tokyo.jpg\" alt=\"\" class=\"wp-image-408\"\/><\/figure><div class=\"wp-block-media-text__content\">\n\n\n<p>&nbsp;Synopsis &#8211; La famille Yoshi d\u00e9m\u00e9nage d\u2019Azabu pour s\u2019installer dans la banlieue de Tokyo o\u00f9 le p\u00e8re a trouv\u00e9 un nouvel emploi. Ryoichi (dix ans) et Keiji (huit ans) font l\u2019\u00e9cole buissonni\u00e8re et se lient avec Taro, le fils du patron de leur p\u00e8re. Premier sermon du p\u00e8re, le soir, pour qui \u00ab&nbsp;ce n\u2019est pas ainsi qu\u2019on devient des hommes importants&nbsp;\u00bb. Ce petit employ\u00e9, soucieux des apparences, ne souhaite rien tant que de voir ses fils occuper une situation \u00e9lev\u00e9e. Mais ceux-ci sont d\u2019une autre trempe&#8230;<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"754\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/GOSSES-TOKYKO-2-1024x754.jpg\" alt=\"\" class=\"wp-image-409\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/GOSSES-TOKYKO-2-1024x754.jpg 1024w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/GOSSES-TOKYKO-2-300x221.jpg 300w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/GOSSES-TOKYKO-2-768x565.jpg 768w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/GOSSES-TOKYKO-2-1536x1131.jpg 1536w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/GOSSES-TOKYKO-2.jpg 1944w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Deux options&nbsp;:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Solo&nbsp;: Christofer BJURSTR\u00d6M&nbsp;: piano, composition<\/li><li>Duo&nbsp;:<ul><li>Christofer BJURSTR\u00d6M&nbsp;: piano, composition<\/li><li>Pierre STEPHAN&nbsp;: violon<\/li><\/ul><\/li><\/ul>\n\n\n\n<p>Une musique au service de la po\u00e9sie d\u2019Ozu. Une musique intime, minimaliste.<\/p>\n\n\n\n<p>Christofer Bjurstr\u00f6m et Pierre Stephan (violoniste improvisateur issu des musiques traditionnelles) dialoguent autour de la malice et de la tendresse d\u2019Ozu.<br>Une musique intime, minimaliste.<\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gosses de Tokyo | Y. Ozu | 1932 | 1h40Musique de Christofer Bjurstr\u00f6m \u00ab&nbsp;Je vous parle des plus beaux films du monde. Je vous parle de ce que je consid\u00e8re comme le paradis perdu du cin\u00e9ma.&nbsp;\u00bbWim Wenders C\u2019est une com\u00e9die \u00e0 l\u2019humour amer qui met en sc\u00e8ne les relations conflictuelles entre un p\u00e8re et ses&hellip;&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":409,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"class_list":["post-406","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/comments?post=406"}],"version-history":[{"count":4,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/406\/revisions"}],"predecessor-version":[{"id":881,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/406\/revisions\/881"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/media\/409"}],"wp:attachment":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/media?parent=406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}