{"id":213,"date":"2020-10-19T18:33:21","date_gmt":"2020-10-19T16:33:21","guid":{"rendered":"https:\/\/cbjurstrom.eu\/cbj\/?page_id=213"},"modified":"2025-09-11T16:59:00","modified_gmt":"2025-09-11T14:59:00","slug":"les-trois-ages","status":"publish","type":"page","link":"https:\/\/www.cbjurstrom.eu\/index.php\/les-trois-ages\/","title":{"rendered":"Les Trois Ages"},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"504\" height=\"407\" src=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/02_three_ages-1.jpg\" alt=\"\" class=\"wp-image-214 size-full\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/02_three_ages-1.jpg 504w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/02_three_ages-1-300x242.jpg 300w\" sizes=\"auto, (max-width: 504px) 100vw, 504px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Le premier long-m\u00e9trage de Buster Keaton (1923)<\/p>\n\n\n\n<p><br>Une parodie d\u2019Intol\u00e9rance de D. W. Griffith mais cette fois-ci, avec le th\u00e8me central de l\u2019amour et de la rivalit\u00e9 amoureuse\u2026<br>La rivalit\u00e9 de ces deux pr\u00e9tendants est d\u00e9clin\u00e9e sur trois \u00e9poques\u00a0: la Pr\u00e9histoire, la Rome Antique et les Ann\u00e9es Folles.<br>Keaton va laisser ici libre cours \u00e0 son imagination, osant l\u2019outrance, l\u2019aspect carton p\u00e2te des d\u00e9cors, les anachronismes et le d\u00e9calage sur les costumes comme les pantoufles en poils de mammouth\u2026<br>Jouant de situations et de gags millim\u00e9tr\u00e9s, les adversaires s\u2019affrontent, usent et abusent de tous les moyens li\u00e9s aux \u00e9poques\u00a0: massue, char, psychologie\u2026<\/p>\n\n\n\n<p>D\u00e8s sa sortie en 1923, Les Trois \u00c2ges r\u00e9alis\u00e9 par un ma\u00eetre du cin\u00e9ma burlesque remporte un grand succ\u00e8s\u00a0; pr\u00e8s d\u2019un si\u00e8cle plus tard le plaisir reste intact.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<p>Deux versions musicales pour ce film:<\/p>\n\n\n\n<p>&#8212; <strong>Une version en piano solo:<\/strong><br>          <strong>Christofer Bjurstr\u00f6m <\/strong>: piano \/ composition<\/p>\n\n\n\n<p>&#8212;<strong> Une version en trio:<\/strong> <br>Une composition commune de trois complices\u00a0: Christofer Bjurstr\u00f6m, Jacques Cambra et Franck Tortiller. Jeu sur les timbres, \u00e9nergie, malice, pour s\u2019amuser, (mais pas que) avec Buster Keaton, de ces aventures anachroniques.<\/p>\n\n\n\n<p>Une production de la Sc\u00e8ne Nationale de Sceaux\/ Les G\u00e9meaux<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Christofer Bjurstr\u00f6m<\/strong>: piano, fl\u00fbte<\/li>\n\n\n\n<li><strong>Jacques Cambra<\/strong>: piano, accord\u00e9on diatonique<\/li>\n\n\n\n<li><strong>Franck Tortiller<\/strong>: vibraphone<br><\/li>\n<\/ul>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"315\" height=\"252\" src=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/3agesfemmejpg-1.jpg\" alt=\"\" class=\"wp-image-215 size-full\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/3agesfemmejpg-1.jpg 315w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/3agesfemmejpg-1-300x240.jpg 300w\" sizes=\"auto, (max-width: 315px) 100vw, 315px\" \/><\/figure><\/div>\n\n\n\n<p><strong>Copie<\/strong>: DCP<br>A partir de 6 ans <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le premier long-m\u00e9trage de Buster Keaton (1923) Une parodie d\u2019Intol\u00e9rance de D. W. Griffith mais cette fois-ci, avec le th\u00e8me central de l\u2019amour et de la rivalit\u00e9 amoureuse\u2026La rivalit\u00e9 de ces deux pr\u00e9tendants est d\u00e9clin\u00e9e sur trois \u00e9poques\u00a0: la Pr\u00e9histoire, la Rome Antique et les Ann\u00e9es Folles.Keaton va laisser ici libre cours \u00e0 son imagination,&hellip;&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":10538,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"class_list":["post-213","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/comments?post=213"}],"version-history":[{"count":6,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/213\/revisions"}],"predecessor-version":[{"id":10849,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/213\/revisions\/10849"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/media\/10538"}],"wp:attachment":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/media?parent=213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}