{"id":158,"date":"2020-10-16T19:25:48","date_gmt":"2020-10-16T17:25:48","guid":{"rendered":"http:\/\/cbjurstrom.eu\/cbj\/?page_id=158"},"modified":"2020-11-26T18:42:41","modified_gmt":"2020-11-26T17:42:41","slug":"lecture-musicale-voyage-dans-des-iles-oubliees","status":"publish","type":"page","link":"https:\/\/www.cbjurstrom.eu\/index.php\/lecture-musicale-voyage-dans-des-iles-oubliees\/","title":{"rendered":"Lecture Musicale Voyage dans des iles oubli\u00e9es"},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"http:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/lecture-iles-cezon-2.jpg\" alt=\"\" class=\"wp-image-116\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/lecture-iles-cezon-2.jpg 800w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/lecture-iles-cezon-2-300x200.jpg 300w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/lecture-iles-cezon-2-768x512.jpg 768w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/lecture-iles-cezon-2-360x240.jpg 360w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">La com\u00e9dienne Catherine Le Flochmoan et le musicien Christofer Bjurstr\u00f6m emm\u00e8nent les auditeurs dans une \u00e9vocation sensible de ces \u00eeles, \u00ab bateaux immobiles \u00bb perdus dans l\u2019oc\u00e9an, \u00e0 travers de courts portraits, qui feront tour \u00e0 tour fr\u00e9mir et sourire. Seraient-ce les hommes qui ne veulent pas d\u2019elles, ou elles qui ne veulent pas des hommes?<\/p>\n\n\n\n<p class=\"has-small-font-size\">A partir du livre \u00ab ATLAS des ILES ABANDONNEES \u00bb de Judith Schalansky (avec une pr\u00e9face d\u2019Olivier de Kersauson), paru aux Editions Arthaud en 2010, une \u00e9vocation en 10 textes courts, de 10 \u00eeles au destin \u00e9trange.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/lecture-ile-cezon-1.jpg\" alt=\"\" class=\"wp-image-115\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/lecture-ile-cezon-1.jpg 800w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/lecture-ile-cezon-1-300x200.jpg 300w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/lecture-ile-cezon-1-768x512.jpg 768w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/lecture-ile-cezon-1-360x240.jpg 360w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">De la d\u00e9couverte de Napuka par Magellan en 1520, au destin sombre de Takuu en 2918, en passant (entre autres) par les aventures rocambolesques des colons de Floreana, le destin tragique des esclaves abandonn\u00e9s sur l&rsquo;\u00eele Tromelin, la fi\u00e8vre de l&rsquo;or qui s&#8217;empare de l&rsquo;\u00eele Cocos, et l&rsquo;\u00e9tonnante histoire de la langue r\u00eav\u00e9e de Marc Liblin, la musique de Christofer Bjurstr\u00f6m au piano, aux fl\u00fbtes, \u00e0 la sanza, se m\u00eale \u00e0 la voix de Catherine Le Flochmoan pour un voyage dans ces \u00eeles au destin fascinant.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/lecture-iles-landeda-1.jpg\" alt=\"\" class=\"wp-image-118\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/lecture-iles-landeda-1.jpg 800w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/lecture-iles-landeda-1-300x225.jpg 300w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/lecture-iles-landeda-1-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\">Dans la t\u00eate des continentaux, le fait que la terre la plus proche soit \u00e0 des semaines de navigation transforme l&rsquo;\u00eele en un lieu id\u00e9al, cette terre, entour\u00e9e d&rsquo;eau, devient une surface de projection r\u00eav\u00e9e pour les utopies et les paradis terrestres.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Mais la vie y est rarement paisible, en tout cas, on y voit plut\u00f4t s\u00e9vir de terrifiants pouvoirs personnels que s&rsquo;y r\u00e9aliser les utopies de communaut\u00e9s \u00e9galitaires.<\/p>\n\n\n\n<p>Le paradis est peut-\u00eatre une \u00eele.<br>L&rsquo;enfer en est une autre.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 34%\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"800\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/pukapuka-red-site.jpg\" alt=\"\" class=\"wp-image-141\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/pukapuka-red-site.jpg 602w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/pukapuka-red-site-226x300.jpg 226w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Napuka\u2026\u2026\u2026. Floreana\u2026\u2026.\u00cele Bouvet\u2026\u2026Tromelin\u2026\u2026..\u00cele Cocos\u2026\u2026..\u00cele Clipperton\u2026\u2026\u2026.<br>Pukapuka\u2026\u2026\u2026\u2026\u00cele Diego Garcia\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Rapa iti\u2026\u2026\u2026.Takuu<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"800\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/bokak_red-site.jpg\" alt=\"\" class=\"wp-image-87\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/bokak_red-site.jpg 602w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/bokak_red-site-226x300.jpg 226w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-medium-font-size\"><strong>Catherine Le Flochmoan<\/strong>: voix, chant<br><strong>Christofer Bjurstr\u00f6m<\/strong>: fl\u00fbtes, piano, sanza<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 34%\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"800\" src=\"https:\/\/cbjurstrom.eu\/cbj\/wp-content\/uploads\/2020\/10\/clipperton-red-site.jpg\" alt=\"\" class=\"wp-image-98\" srcset=\"https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/clipperton-red-site.jpg 602w, https:\/\/www.cbjurstrom.eu\/wp-content\/uploads\/2020\/10\/clipperton-red-site-226x300.jpg 226w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-medium-font-size\">Contact: Cooperative 109<br>Constance Devol: diffusion@cooperative109.fr<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>La com\u00e9dienne Catherine Le Flochmoan et le musicien Christofer Bjurstr\u00f6m emm\u00e8nent les auditeurs dans une \u00e9vocation sensible de ces \u00eeles, \u00ab bateaux immobiles \u00bb perdus dans l\u2019oc\u00e9an, \u00e0 travers de courts portraits, qui feront tour \u00e0 tour fr\u00e9mir et sourire. Seraient-ce les hommes qui ne veulent pas d\u2019elles, ou elles qui ne veulent pas des&hellip;&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":98,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"class_list":["post-158","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/comments?post=158"}],"version-history":[{"count":4,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/158\/revisions"}],"predecessor-version":[{"id":992,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/pages\/158\/revisions\/992"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/media\/98"}],"wp:attachment":[{"href":"https:\/\/www.cbjurstrom.eu\/index.php\/wp-json\/wp\/v2\/media?parent=158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}